Thullal

Thullal is the modified version of the Koothu. Simplicity in the presentation, humour and wit form the structure. The great Malayalam poet, Kunjan Nambiar, invented it. No stage or any sort of arrangement is required for this solo dance. Quick and rhythmic movements form the core. To the accompaniment of maddalam and elathalam the singer himself sings the lead. Thullal is categorised into three – Ottanthullal, Seethankamthullal and Parayanthullal. Each is classified on the basis of metre and rhythm of the songs and the distinctions in the costume and dance. Elaborate headgears, face painting and colourful costumes are essentials to the art. The songs are in simple Malayalam and the techniques employed in this art are not rigid, though they are based on the classical principles of Naatya Saastra. Unlike Kathakali and Koodiyaattam, Thullal uses no curtain for entries, exists or scenes, nor is there a formal seating arrangement. As is the practice with all of Kerala’s performing arts a lighted bell metal lamp is installed in the front of the dancer, even if the performance is held during the day. Though not strictly observed now, Parayan Thullal was generally presented in the forenoon, Seethankan in the afternoon, and Ottan after dusk. The player sings a verse and while the lines are repeated by his musical assistant, he brings out the meaning through facial expressions, hand gestures and bodily postures. The roler of the raconteur and actor are perpetually interchanged with tremendous aesthetic effect. In one moment he is the narrator, but in the next he completely identifies himself with the narration.

Related Topics
Classical Art Forms  
Koodiyattom  
Kathakali  
Chakyarkoothu  
Krishnanattam  
Mohiniyattam  
Thiruvathirakali  
Oppana  
Kolkkali  
Duffmuttu  
Chavittunatakam  
Kakarissi Natakam